I was just listening to Antonín Dvo?ák’s New World Symphony (Symphony No.9, opus 95, “From the New World”) and realized one thing that had been irritating me all these years — only, I could never identify it.
Just listen to the 4th movement: Allegro (con fuoco)
(delicious mp3 playtagger enabled!)
Now, just as much as I would love to hear more and more classical music being played on historical instruments to catch the dynamics of the original compositions, I would like to hear this piece on modern, electronical instruments instead.
Why? Because I think this composition is way too fast — similar to Keith Jarrett’s interpretation of Bach’s Well-Tempered Clavier. To my mind, this Symphony has such a vivid speed that it equals a shame to sort of “waste” the vibrating sounds of wooden instruments. It doesn’t give them a chance to develop a proper, a full sound. Instead, I think, electronical instruments take less time to develop a clean and stable sound. Delivering the tone pitch the moment it’s required. This assumption especially applies to the strings in the beggining of this movement.
Or in other words: playing such a fast composition with traditional instruments is like breaking a butterfly on a wheel / taking a Mercedes-Benz S600 to the next duka only to buy chewing gums.
Isn’t it that you sometimes hear interesting music and instantly think: naaaa, I would have played this in a different way…?