Customer: Do you have Soul?
Rob: That all depends.

This private blog is online since six years now and during this time I have covered a lot of topics that touched me one way or the other. Love, music, politics, environment, computer….yes, I even wrote about cars the other day.

And yet there’s still one blog post that’s been idling in my drafts folder since early March 2008 and will probably never be published unless I just start writing about it:

My Top 10 list of music videos

I’ve never published it for various reasons. One certainly being that such a list will have to change over time, so to define such a list for good is almost impossible. It’s not like the above mentioned list of Top 10 cars which only includes classics. No, a list of most-loved music videos is a temporary love affair that becomes diluted by the constant penetration with new music videos.

I tried this the other day with a list of Top 10 favorite songs. I went through my music library, copied all relevant mp3 files in an empty folder, uploaded them, listened to my selection and realized I got it all wrong:

TOP10 lists suck. Why? Because in the end you’ll realize that a selection almost isn’t possible and that if anything at all, it will just define the moment or a certain period.

It’s not the list that matters, but the selection process while searching and deciding which songs are eligible for such a list. And in the end you’ll just compile it for your own satisfaction and desire to have a Top10 list somewhere out there – on the internet or burned to a CD in your shelf.

a somehow unrelated photo I’ve posted here to focus your attention on the text. (yes, I’ve recently repaired this Marshall guitar amp for a friend of mine)

There are alternatives to Spotify, alternatives that are accessible from Germany, namely Grooveshark and Simfy. Grooveshark is somehow questionable because – as far as I know – they do not have agreements with record labels or the German Society for Musical Performing and Mechanical Reproduction Rights (GEMA) which has for long been an obstacle for internet surfers in Germany to access music videos from a German IP. But nevertheless, from a user perspective – and that’s all that matters right now – it doesn’t really matter which service you are using as long as your stuff is available*. What’s your stuff, you ask? Your metadata.

I am using the term “metadata” to describe all the soft and invisible stuff that provides the extra, the bonus data that brings the icing on the cake. With music services, it clearly is playlists. Your own and those of other users you’ve subscribed to.

Playlists

Now, with all these different music services, music in form of downloadable mp3s and streaming audio to your desktop computer or even mobile phone, it seems to be obvious that the availability of multimedia files as such isn’t the latest fashion, but instead your private or shared playlists. Playlists, I think, are the same reason why I prefer carefully written music blogs to mass music blogs that keep on publishing music-related posts just because it’s their business. No, playlists are the modern mixtape, the human selection that you can share with others. To me, these are very valuable.

When I switched from Spotify to Grooveshark the other day, I was wondering about my playlists and starred tracks on Spotify and how to get them onto Grooveshark. There’s a service that does exactly that: Groovylists.com – which will help you importing up to 200 tracks in one go.

In-Sync

However, I found myself preferring Spotify to Grooveshark for different reasons (there’s Fadhili Williams on Spotify!) so I went back to using Spotify and have been wondering how to keep these lists in sync. Would I want to manually keep all these services in sync? Will this question be solved one day with the introduction of Apples’s music cloud service and the standards (if any) it will set for their competitors? Mimi, me I don’t know. But what I do know is that we’ll urgently need a service that syncs all our metadata to the cloud and makes it available via a secured API to all these fancy new Web 2.0 sites. Just like the already existing password, bookmark and setting synchronisation via Firefox, Chrome, Xmarks and LastPass. Or that I can already backup all the apps from my Android phone to my Dropbox folder via Titanium Backup in one go.

What we’ll need is ONE service that does just that. Something that we can trust and that syncs all the selected metadata, be it private or openly shared, from all devices and all services to all devices and services. I’d even pay for (the privacy of) it.

Does something like that already exist?

(* = “your music”, as in “your mp3 won’t be uploaded to our music service because it already exists on our Amazon-S3-based service where we’re paying for the Gigabyte”, or in other words: it’s not the music files that matter, but the associated data, hence the metadata)

AOB, but also somehow related:

Probably the best reason to spend 8 minutes of your lifetime on my blog.

“Documentary about Orchestra Baobab that was made for their comeback album, 2002′s “Specialist in all styles”. It documents Baobab’s story, music and band members.”

L’Orchestre Baobab may not be my favourite band, but these documentaries are just fine. Abdoulaye, Mischel – Nan nga def?

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Found by chance via this wonderful (& new) music blog.

“When I see I am nothing, that is wisdom. When I see I am everything, that is love. My life is a movement between these two.”
(Sri Nisargadatta Maharaj)

Exactly.

Mr. Leaves bei der Hochzeit von Cedric und Anni.

Musik, so schön wie die ganze Hochzeit. Schön wars nämlich, sehr schön!

Unless of course we are talking about music from the continent, which is always welcome. I rejoice when I see the number of (really good) music blogs focussing on this very subject, and there’s nothing much I can add other than consuming various unearthed tracks with a huge appetite – and occasionally falling in love with a track. Like this one:

“Manheru Chagamire” by (the) Hallelujah Chicken Run Band.

Chicken Run Band! Hallelujah!!  !!1!11!

To my ears, this track and it’s flow is pure gold. Am waiting for the creative moment when someone turns this into a remix that emphasises the beat and singing by Thomas Mapfumo.

For the moment, however, I’ll just post this lovely tune, name the sources (1 & 2) and also remind you of Kongotronic Vol.1, which I had blogged here almost 4 (!) years ago.

Baloji. Good artist, good music. New album out on January 27th 2010.

CARAVAN RECORDS presents – Mzungu Kichaa ft Professor Jay and Mwasiti

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(Le compositeur DIANGIENDA WABASOLELE Armand) “DWA, en autodidacte, étudie le solfège jusqu’? maîtriser la composition en musique classique. Il a hissé l’Orchestre au niveau d’une grande formation dont la renommée dépasse largement les frontières d’Afrique. De plus en plus il établit les ponts entre son orchestre et d’autres orchestres du genre ? l’étranger.” (source)

Pretty amazing!

Or as one member of the orchestra says in this short clip: “When I am sick and I listen to the music, it gives me strength.”

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I just can’t remember when I’d actually bought such an audio CD – maybe 2003 or 2004. These days I only receive them a gifts on special occasions or when the content isn’t available anywhere else (such as this nice Mendelssohn recording as pictured below).

Today’s customers apparently prefer their audio entertainment to come in a digital format that can be copied onto a portable device and carried around. Sure, you can rip an audio CD and convert it into any popular digital audio encoding format, such as mp3. But then, also, there this study somewhere on the internet which concludes that many consumers these days don’t go for complete albums, but instead download single tracks online, either free of charge, for a fee from online shops like iTunes Store or illegal via P2P networks.

I’ve also changed my consumer behaviour on audio entertainment some years ago – as I saw my shelves filling up with CDs that needed storage space. What if I had everything (every single CD) ripped and converted into mp3 format for use on my portable mp3 players and on my computer? I don’t want to own many different physical pieces of recorded media (the CDs), but instead just want to listen to my music. So I did that and now only have a small 2,5″ external hard drive with all my music on it. And since I am not a big fan of iTunes or iPods, I just slot the above pictured microSD card into the reader (attached to the keychain), plug it into a free USB port on my computer and load some music on the card which I can then use on my Nokia N95 mobile phone (which also serves as my mp3 player).

You may have heard that SanDisk – the manufacturer of these tiny memory card – has meanwhile come up with the idea of selling DRM-free mp3 files preloaded on such a microSD card, marketed as slotMusic.

And since not everyone ownes a microSD-compatible player, they’ve introduced a simple mp3 player – the slotMusic player – which may also be branded for popular artists. To push this new format forward, Sandisk also secured support from all four major music labels (EMI Music, SONY BMG MUSIC ENTERTAINMENT, Universal Music Group & Warner Music Group).

It will be interesting to see how consumers will accept this medium and how it will substitute audio CDs. I think, many consumers just want to enjoy the music they’ve bought – either in an old-fashioned way (vinyl, CDs, cassette tapes) or in a truly digital format that’s playable on many different devices and may even be copied. 1 GB microSD cards currently sell for about 3,- EUR in Europe, come at the size of a fingernail, are hot-swapable (the keychain adapter is so sweet! I always keep a LinuxLive version on that 2 GB card) and still offer more memory space than conventional audio CDs.

Also, since even a 1GB microSD card is big enough for audio AND additional files, I think the real innovation here isn’t about giving consumers just another media format, but instead the provision of additional memory space which may then be used for videos or flash animations that can even be played on a portable player. So it’s not only about music, but the extra data contained on such a device that will probably attract customers in future and make the difference.

I know we also had VideoCDs or enhanced mutimedia CDs in the past, but nowadays many portable devices are also capable of playing any additional data (such as flash animations, text, videos, etc.) – so for the first time, this additional feature really makes sense.

From what I’ve read on the blogosphere and seen on TV about SanDisk’s slotMusic approach so far, many ppl are still sceptic as they are currently used to downloading their music directly online, or prefer a CD which they can play on their stereo systems at home. Also, since these microSD cards are really tiny and all look alike, it will be particularly interesting to see how SanDisk will solve these still open issues. For me as a consumers though, this new format is much sweeter than conventional CDs – also since I already own a device that has a microSD card slot.

I am currently using an 8GB microSD card on my N95 – and if I ever need more, I’ll just get another one. Getting the music transferred on such a card is just a matter of a seconds, which is quite convenient if you directly compare that with devices that only have a fixed memory chip (iPhone, iPod, Nokia 6500, and most older mp3 players).